GEARS

Red Devil Recording Studio Gear List:

***Mixers***

D&R Orion (Preamp Modded)

with Alps faders, automation system & patchbay

24 inline channels + 10 stereo channels — up to 48 inputs

AMEK Bullet

Summing mixer + extra preamps

10 channels

***Monitors***

Nearfield:

Yamaha NS-10 + Yamaha SW215 active subwoofer

Big Monitor:

KRK 7000B (Focal featuring)

Aux Monitor:

Aiwa “Trombino”

Amplifiers:

2 × Carver PM-175 Magnetic Field Power Amplifier

The Flying Dutchman Audio Cue Amp (Custom)

***Recording System***

DAW:

Intel Core i7 950 @ 3.07 GHz (OSX)

12 GB DDR2 RAM

500 GB Western Digital SATA III HD + backup drive

Dual LCD monitors (32” + 17” Full HD)

LaCie external audio drive — 1 TB SATA II, 10.000 RPM

Converters:

4 × MOTU 1224 controlled by MOTU PCI-424

(34 I/O @ 24-bit / 48 kHz)

UAD-2 Quad PCIe DSP Accelerator Card + Full Collection Plug-ins

Apogee PSX-100 AD/DA

(24-bit / 96 kHz main stereo converter & clock generator)

DAW Controller:

PreSonus FaderPort 2

Software:

Pro Tools

Logic

Ableton Live

***Outboard***

Preamps & Dynamics:

Neve 1073 Channel Strip

Symetrix 528 Channel Strip

Valley People “Maxi-Q” Parametric Equalizer + “Gain Brain II” VCA Compressor

DBX 386 Dual Vacuum Tube Preamp w/ Digital Out

Burr Brown 2134 SS Dual Pre + Tube Exciter (Homemade)

2 × DBX 166 Dual VCA Compressor

BSS DPR-402 Dual VCA Compressor

Bellari RP583 Optical Dual Tube Compressor (Modded)

2 × UREI 1176 FET Compressor (Clone)

LA-2A Discrete Optical Leveling Amplifier (Clone)

369 Dual Diode Bridge Compressor (Clone)

Chameleon Labs 7720 Stereo Buss Compressor (SSL Clone)

Pultec-style Tube Equalizer (Clone)

Orban 536A Dynamic Sibilance Controller

Behringer Intelligate

Reverbs & Multi-Effects:

Lexicon PCM 80

Lexicon PCM 70 v3.0 + v2.0 (Registered Presets)

Lexicon LXP-15 v2.0

Lexicon LXP-1

Yamaha SPX-1000

Yamaha SPX-90

Alesis Quadraverb GT

TC Electronic M350 (Dual FX)

Delays:

Line 6 Echo Pro

Eventide TimeFactor

Rockman Vintage Delay/Chorus

FBT EEX-300 “Bucket Delay” (‘75)

Miscellaneous:

Aphex Aural Exciter 602 (‘77)

2 × Dolby Type-A Systems

DBX 120XP Subharmonic Synthesizer

MAM Warp 9 MIDI Analog Filter

Korg Kaoss Pad 3

Behringer DSP8000 RTA

Stompboxes:

Line 6 POD

Line 6 Filter Modeler FM4

Line 6 Modulation Modeler MM4

Roland/Boss CE-1 Vintage Chorus (‘77)

Boss CEB-3 Bass Chorus (‘80)

Boss LMB-3 Bass Limiter Enhancer

Boss CS-3 Compressor/Sustainer

MXR Phase 100 “Script Logo” (‘80)

Electro-Harmonix Big Muff Pi — 1st Version (‘77)

DigiTech Whammy — 1st Version

Ibanez TS9DX Turbo Tube Screamer

Tech 21 NYC SansAmp Bass Driver

Rockman Distortion Generator (‘80)

***Synths & Samplers***

E-MU Vintage Keys

Yamaha DX7 II FP + Card

Akai CD3000XL v2

(Internal SCSI HD & 32 MB RAM)

Akai S950 v2 (Expanded)

Large collection of custom floppy disks & original Akai/E-MU CD libraries

MIDI Interface:

MOTU MIDI Timepiece MTP AV

***Microphones***

Neumann/Telefunken U47 Tube

(1st Series, Long Body, No. 130 — 1947)

Neumann U87 Ai

Neumann KM84

Neumann KM74

Neumann KM53 (Tube)

Neumann KM54 (Tube)

3 × Neumann KM56 (Tube)

2 × Neumann KMS85

Brüel & Kjær 4007 (Clone)

Lundahl Ribbon Microphone (Custom)

Sennheiser e614

2 × Sennheiser MD421

2 × Sennheiser MD441

Shure SM7 (1st Series — ‘77)

3 × Shure SM57

Electro-Voice N/D468

Electro-Voice Raven

Electro-Voice PL80

2 × AKG C414 EB — CK12 Nylon Brass Capsule (1980)

AKG SolidTube (Modded)

AKG C3000 (1st Series)

AKG D112

AKG/Siemens D20

3 × Crown PZM

Yamaha SubKick

***Accessories***

2 × BSS AR116 Active D.I. Box

EMO E-525 Dual Passive D.I. Box

Stage Line Passive D.I. Box

Radial X-Amp (Class-A Reamping Box)

EMO Mic Splitter

Zoom Holophonic Surround USB Mic

***Headphones***

AKG K270

2 × AKG K240

3 × Sennheiser HD25 Pro

Sennheiser HD540 Reference

***Other***

Studio hall with variable acoustic system

Switchcraft patchbay

All cables are Klotz O.F.C. with Neutrik connectors

Entire studio power system protected by online UPS, EMI dual-noise filters & electromechanical

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